AVRant #52: DRM and All Channels Driven
For not having much to talk about, this sure turned out to be a long Podcast. Dina’s worried about DRM at the library. What’s the future for the music studios? What will be the new paradigm? Tom thinks bank card credit securedbest card credit interest rate,best credit card interest ratepaying off credit card debtbill card consolidate creditcalculator card consolidation creditaccept credit card,accept major credit card,accept account card credit merchant processingwell fargo bank secured credit card,bank secured credit cardsouthwest airline credit cardcard consolidation credit non profit,non profit credit card consolidationcard credit debt iowa management,card credit debt info management,credit card debt managementinstant online approval credit cardcard credit online wageringcard credit free machinecard credit free machine wireless,free credit card machine,card credit free machineapply card credit visainstant decision credit cardcard credit processing servicecapital one credit card applicationge card services online creditorchard bank credit card loginwal mart credit card in canada,wal mart credit card canada,card credit mart walpremier bank credit card0 application apr card creditamerica bank card credit studentcard credit machine wirelesscard credit gateway payment,credit card payment gatewaysinstant credit card applicationcard credit discover payment,discover credit card payment centerbank card credit merrickbad credit credit card ukcard consolidation credit free,free credit card consolidationcredit card balance transfer ukcard credit guaranteed ukbad card credit gas,bad card credit credit gas peopleinstant online credit card applicationfree online credit card,card credit credit free no online report,card credit free online processingsecured credit card applicationcredit card debt consolidation program,card consolidation credit debt programecommerce credit card processing,card credit ecommerce processing transactionbad card credit credit peoplecredit card merchant account,account card credit merchant setup,credit card merchant account programbank card credit orchard servicescard credit credit get history no,no credit history credit card,card credit credit history no peopleuk aqua credit cardcard consolidate credit debt informationcredit card instant credit,instant credit card,loan instant online credit card for badfree info remember ringtones wallpaper,free verizon ringtones and wallpaper,free ringtones and wallpaperreal ringtones wwefree us cellular audiovox ringtonesfree boost real music ringtones that if a magazine is going to have a paid piece, they should label it such. Are you a Guitar Hero fan? Are you a Beatles fan? All your dreams may be coming true. Tom tries to describe the All Channels Driven debate in terms anyone can understand. If you want to read more you can check out the article on Audioholics or the forum thread. Star Trek fans get ready to rejoice. Tom goes off on RBH. Thank you for getting AV Rant into the top 40 podcasts on Podcast alley. Thanks for listening and keep up the votes!.
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Oops, Tom. Destination Audio is still around. In fact they demoed at EHX this year. They are just reshuffling speakers/lines.
The whole problem is with dealers – their dealers are fickle, scared and absolutely not loyal. As a result the whole online transition is a tough one for them.
But YES, four brands (you forgot to mention Status Acoustics) is about 2-3 brands too many.
Really? I hadn’t heard a thing about them so assumed it deceased. And I did forget about Status… which is kind of the point of the rant
Tom, I thought to get +27dB (117dB on 90dB sensitive loudspeakers) you would need over 500 watts at 1 meter, 1000 watts at 2 meters, and 2000 watts at 4 meters. Now having said that and its impracticality, I hope that others will take your advice to heart and choose appropriately sensitive speakers, rather than buy an amplifier that is only 20-100 watts more powerful, if they are trying achieve TXH or rock concert level of decibels.
I cringed when I heard Tom going into the math of SPL. Actually, between perceived SPL and real SPL and electrical values, I get confused myself sometimes. I typically leave the calculations of anything audio to Gene.
As for 500, 1000, 2000 Watts, I don’t think the example was meant to be as specific as it sounded. The general principle was correct.
With my basic understanding of SPL, I calculated:
In order to achieve and increase of 6 dB SPL (which is AFAIK a doubling in acoustical power) you need twice the power, so 1W = 90 dB 1m, 2W = 96 dB 1m, and so on till you reach 114 dB at 16 watts. Add, let’s say 33% to that (just a guess) to reach 117 dB…
Not quite 500 watts…
Correct me if I’m wrong! 🙂
-Simon
I swear, I read and read to prepare for every episode and the one thing I wing, is probably wrong. Of course, Gene is out of town right now and can’t be reached so I can’t ask our resident expert. Tell you guys what, when Gene gets back, I’ll have him on the show and he’ll explain all this to all of us.
I should just stick to the geeky stuff. All those numbers are so confusing ;).
Simon, I think you are almost correct except that you need to double the power to achieve a 3dB increase in SPL. The formula for how much more power you need to achieve a specified gain in dB is 10^(dB/10). Therefore 10^(3/10) = 1.99 and 10^(27/10)= 501.19
Re: Doubling of distance = 3dB drop
That’s incorrect, sound intensity decreases based the INVERSE SQUARE LAW, it’s not linear. Remember that sound is radiating energy into a volume of space.
See the “Intensity, radiation and dB” section on this webpage for more details: http://www.phys.unsw.edu.au/jw/dB.html
There’s calculator at:
http://www.numericalexample.com/content/view/18/33
Glad to see that others caught some of the errors in Tom’s statements about amplifier power needs. Indeed, sound intensity decreases according to the inverse square law, so as you move further and further away, it is much more than just a 3dB drop for every doubling of distance.
For the speaker to amplifier power issue: for every 3dB increase in output, roughly twice as much power is needed.
Also, THX requires that a speaker can output peak levels of 105dB at the listening position and sustain a minimum of 85dB at the listening position at all times. Tom said 117dB, which is incorrect. The subwoofer needs to be able to reach peaks of 115dB at the listening position, so maybe that is where Tom got that rough figure.
If you consider a 4m (roughly 13 feet) seating distance, the power needs can add up really quickly in order to reach full THX spec. A typical 90db/1W/1m rated speaker will need about 500 Watts of power to reach those 105dB peaks.
Actually for every doubling of power, the perceived loudness goes up +3dB NOT 6dB assuming not factoring in boundary gain or placing multiple sources in close proximity playing correlated audio.
Check out my article on Speaker Connections for greater detail:
http://www.audioholics.com/education/loudspeaker-basics/loudspeaker-impedance-series-parallel-connection-basics
As for sound obeying the inverse square law of -6dB for every doubling of distance, that only applies to LARGE rooms or open spaces. Because of early reflections, most home theater rooms experience only -3dB for every doubling of distance thus all of the SPL calculators out there are actually too conservative when calculating loudness at a given distance.
This is a great calculator to help understand loudness and conversions of units:
http://www.doctorproaudio.com/doctor/calculadores_en.htm
but again it assumes -6dB for every doubling of distance which isn’t correct in a home theater room.
What is interesting however is if you are running 5 identical speakers rated at 90dB @ 1 watt/meter in 5CH stereo mode sitting 1 meter away from all speakers, just 1 watt per channel would produce a whopping:
97dB assuming none of the speakers are in phase with each other
104dB assuming all of the speakers are in phase
So as you can see when you start adding more speakers in the room, the sound goes up considerably and even at 1 watt with all speakers playing the same source, it’s quite loud.
A powerful amp is important for driving low impedance loads, handing high sustained output levels, and producing the large peaks in music since music is very peaky in nature. When I get back in town we will do a dedicated podcast on this.
Thanks Gene. I tried to tell Tom all this, but he edited the parts of the podcast where I was correcting him.
LOL Dina!!! I belive it LOL ja ja …funny stuff……. oh and thaks Rob for you coment it helped alot. Gene thanks for the literature, I’ll read it at my Lunch hour. Thanks again Gene!!! Cuz I was getting sad about my plans to buy a new AMP!!! And now I feel all good about it again!!!! LOL
What the crap Tom, you dont want me to buy a new amp? ….just kidding LOL.